A poetic journey of rediscovery and return. Routing us through shifting landscapes and waterways, the narrative reflections of a seeker are mystically guided by Oshun, the venerated orisha of water and destiny.

A Study of Light over Water. The film is an abstract representation of the naturalistic reflection of light on Lake Tune and Canal Saint-Martin.

A film about mortality. We asked friends and family about their relationship with death, a topic we had not openly discussed with them before. A collection of voice notes are woven together with Super 8 footage. Filmed over the course of one month during winter in Berlin.

A Sheriff is awakened by his daughter, alerting him of a prowler on their ranch. As father and daughter head out into the woods to track the prowler down, they soon discover they're dealing with something that isn't human.

Teens on a study program abroad have to learn survival techniques when they crash on an uncharted Malaysian island.

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

A would-be exile explores her Georgia O'Keeffe fantasies through customer support calls.

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