A poetic journey of rediscovery and return. Routing us through shifting landscapes and waterways, the narrative reflections of a seeker are mystically guided by Oshun, the venerated orisha of water and destiny.

After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.

Guler, a small principality near Kangra, was an artistic and cultural wellspring since it's accidental inception in the 15th century. Many greats like painters Pandit Seu, his sons Manaku, Nainsukh, and the poet Brajraj were born here. Today the whole system of patronage under which lofty endeavours were possible even in financially austere conditions is gone. And tragically even the physical landscape is submerged under a dam. The film seeks out some traces of the submerged past, through the memories of those left behind, a condensation of a bygone civilization.

A Study of Light over Water. The film is an abstract representation of the naturalistic reflection of light on Lake Tune and Canal Saint-Martin.

In the 1950s, the Ween family live and work on land that was promised to their family. The landowners, the Appletree family, use the promise of the land to keep the family working for them, putting the transfer of the land in doubt.

A film about mortality. We asked friends and family about their relationship with death, a topic we had not openly discussed with them before. A collection of voice notes are woven together with Super 8 footage. Filmed over the course of one month during winter in Berlin.

In the shade of Malta’s scorching sun, around the edges of the Swedish online-gambling community, exiled con man Dimman shows up for a lavish wedding, kicking off a desperate and decadent pursuit of redemption.

A taxi driver (Naveen Andrews) picks up a fare (Barbara Hershey) in Manhattan. She offers the driver a large sum to drive her to the desert. While the pair drive across the country, the woman tries various strategies to lure the driver into conversation. Despite his reticence, the pair begins a tumultuous and steamy relationship.

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.